News & Reviews

Below are critical reviews and news stories featuring Marcela and her productions.

Noted director Marcela Lorca, who has helmed the training program since Washington’s death in Nov. 2014, directs “Incurable” with lyricism and humor. The performances are funny, in-the-moment and well-timed. The script, which has many contemporary touches, includes an angel on rollerblades (Aishling Pembroke).

Guthrie’s grad student production is polished and lyrical, Star Tribune, July 28, 2017

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With marvelous performances by the cast under the sublime direction of Marcela Lorca, “Disgraced” should be a must see for everyone who watched or didn’t watch the folderol of inauguration day for Donald Trump. Lorca deserves immense credit for letting this play proceed at a natural rapid pace. There is little room for breath in these performances, and they’re all the more real because of it.

Complexities of hate and humanity lie at the heart of The Rep’s “Disgraced”, OnMilwaukee, January 21, 2017

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Fast-moving and provocative, Disgraced turns a sophisticated dinner party among social elites into a slow dissolve of their pretenses about having risen above ethnic worries and stereotypes. Running through February 12 at the Quadracci Powerhouse, it is the best directed and acted Milwaukee Rep play experienced of late, fulfilling its 2013 Pulitzer-winning reputation as the sort of conversational theater that grows in conflict, meaning and impact over its 90 minutes.

Rep’s ‘Disgraced’ Is Powerful, Provocative, Urban Milwaukee, January 23, 2017

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Written by Pakistani-American playwright Ayad Akhtar, winner of the 2013 Pulitzer Prize for drama, “Disgraced” is a scorcher, an uncompromising look at racism, Islamophobia and American identity. We’ve never heard a Guthrie audience gasp as often as they did on opening night. This might be the year’s most essential play, one everyone should see, especially everyone who’s white.

‘Disgraced’ might be the year’s most essential play, MinnPost, July 26, 2016

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Of the three productions I’ve seen of Ayad Akhtar’s honest, far-reaching play, Marcela Lorca’s staging for Princeton’s McCarter Theatre is the best.

By far.

By miles.

No disgrace here, Phindie, October 23, 2016

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